About Tracy V. Wilson

Tracy's nerdiness was obvious by fifth grade, when she reveled in writing her first book report (subject: "Jane Eyre") and winning her first science fair (subject: mold growth). As a literature student at the University of North Carolina at Asheville, she finally found her people and spent lots of time watching "Star Trek" and playing D&D -- when she wasn't writing poems or reading feminist fiction. Today, Tracy has a house full of computers, consoles and cats, and her library spans everything from Jane Austen to Marion Zimmer Bradley. Tracy joined HowStuffWorks.com as a staff writer in 2005 and is now the site director. You can find Tracy on Twitter at @PopStuffHSW and on Facebook at the official PopStuff page.

Most Recent: Tracy V. Wilson Postings

It’s currently day two of PAX East 2012. This is my second PAX East, my third PAX overall and my first time officially attending as a member of the media. I’ve taken a completely different approach to it than I did at either PAX East or PAX Prime 2011. Other than Friday’s keynote address, I [...]

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Holly and I are both a little foul-mouthed. For varying degrees of “little.” And, in a burst of insight, we decided to talk about swearing for an entire podcast.

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Another listener request! Listener Mariana asked for this one by name. We complied and talked about Bugs and Mickey as characters, and Warner Bros. and Disney as studios — and global juggernauts of merchandising. Although that description only suits one of them

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I have a closet (or not-so-closet) affection for manic pixie dream girls. Coined by Nathan Rabin, “manic pixie dream girl” is a term for those kooky, quirky girls in movies who enliven the worlds of brooding male heroes. Holly, on the other hand hates them.

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So here’s a little back story. Holly and I have a huge list of episode topics on the white board in my office. Sometimes we come in here to figure out what to talk about and one jumps out at us. We jot it down for the next session and cross it off the list. Other times we stare and stare at the board like we’re scrolling through hundreds of TV channels going, “There’s nothing onnnnnnnnn!” Then one of us has a eureka moment and comes up with something we’re stupid excited about. This was one of those times. I was stupid excited to talk about prom. And I didn’t really enjoy my proms. It’s a mystery.

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Another listener request! This one’s from one of our many listeners named Holly. The number of people named Holly who have gotten in touch with us makes me want to start a Holly army. Also, people keep asking us to talk about food, and we get into that subject a little in this episode, too. We also talk about the difference between a guilty pleasure and a plain ol’ pleasure, and what some of our own guilty pleasures are.

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I’m really excited about the forthcoming film adaptation of “The Hunger Games.” And I also know that it’s the sort of book that I probably wouldn’t have gotten to read “until I was older” because of its violent content. So in light of “The Hunger Games” and its target audience of young adults, we thought we’d look into the question of how violence in media affects children.

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We think of St. Patrick’s Day as an Irish holiday, but the way we celebrate it in America is uniquely (and sometimes problematically) American. Green rivers, green beer, green food … it’s easy to go overboard on all the green. And some of the other stuff. (Also, thanks to listener Lissa for suggesting this subject.)

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At least two listeners asked us to podcast about this subject, which made it extra serendipitous that we’d had it on our idea board almost since day one. Right now it seems like Snow White is everywhere. Including this episode. So here we go.

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By listener request, Holly and I decided to spend some time exploring movies made from books, and what makes a good film adaptation. We both have the same thoughts about what makes a good book-to-movie translation: It should stay true to the book, but the filmmaker should be able to make some interpretations and take some risks. In our analysis, that’ll make a richer movie than one that just follows the book frame by frame.

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